{"id":968,"date":"2024-06-07T06:39:24","date_gmt":"2024-06-07T05:39:24","guid":{"rendered":"http:\/\/databaz.org\/xtrm-art\/?p=968"},"modified":"2024-06-07T06:39:24","modified_gmt":"2024-06-07T05:39:24","slug":"lworld-outland","status":"publish","type":"post","link":"https:\/\/databaz.org\/xtrm-art\/?p=968","title":{"rendered":"LWORLD (Outland)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/databaz.org\/xtrm-art\/wp-content\/uploads\/image\/launchPage2%20.jpg\" width=\"300\" height=\"650\" align=\"left\" alt=\"\" \/>LWORLD (Latent World &#8211; Outland) est une application iOS (pour iPhone, &agrave; venir iPad) de r&eacute;alit&eacute; augment&eacute;e &#8211; IA &#8211; g&eacute;olocalisation<\/p>\n<p>&nbsp;<\/p>\n<p>Production : <br \/>\nTRame Ouest avec la participation de <a href=\"http:\/\/transcultures.be\">Transcultures<\/a> et des <a href=\"http:\/\/pepinieres.eu\">P&eacute;pini&egrave;res Europ&eacute;ennes de cr&eacute;ation<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&Agrave; partir de la Renaissance, la r&eacute;volution d&#8217;une nouvelle esth&eacute;tique &#8211; bas&eacute;e sur la perspective &#8211; loin de se limiter au seul espace du tableau, transforme l&#8217;espace r&eacute;el, impr&eacute;gnant la ville et ses espaces (rue, place publique, fa&ccedil;ade&#8230;). Le nouvel esprit math&eacute;matique &eacute;chappe au cadre de la repr&eacute;sentation et d&eacute;veloppe le nouveau cadre d&#8217;une pr&eacute;sence : l&#8217;esth&eacute;tique sort du tableau est immerge le monde r&eacute;el : la nature devient paysage, la math&eacute;matisation du monde transpara&icirc;t par cette effusion esth&eacute;tique du statuaire.<br \/>\nAvec l&rsquo;intelligence artificielle, nous vivons une nouvelle Renaissance, sans doute l&rsquo;une des plus grandes r&eacute;volutions esth&eacute;tiques depuis le XV&egrave;me si&egrave;cle. L&#8217;IA g&eacute;n&eacute;rative propose une nouvelle approche de la cr&eacute;ation et des repr&eacute;sentations. Cependant, les cr&eacute;ations d&rsquo;IA se limitent pour la plupart aux &eacute;crans ou aux galeries. L&#8217;immersion &eacute;tant encore localis&eacute; au lieu de l&#8217;art.<br \/>\nLworld est un projet dont la g&eacute;n&eacute;ration IA s&#8217;&eacute;tend au-del&agrave; des espaces artistiques gr&acirc;ce &agrave; la r&eacute;alit&eacute; augment&eacute;e. En effet, et c&#8217;est l&agrave; un paradoxe de la cr&eacute;ation avec IA g&eacute;n&eacute;rative : elles sont la plupart du temps restreintes &agrave; la situation mus&eacute;ale, alors qu&#8217;elles se posent dans une dynamise, de substitution, de d&eacute;doublement, de superposition, d&#8217;enchev&ecirc;trement &agrave; notre r&eacute;el. LWorld est ainsi l&#8217;une des premi&egrave;res propositions de multiplication sans limite et fronti&egrave;re de la g&eacute;n&eacute;ration IA dans le monde entier. Les formes g&eacute;n&eacute;r&eacute;es par l&rsquo;intelligence artificielle en 3D contaminent l&rsquo;espace public et les villes, sans fronti&egrave;res, partout dans le monde. Il s&#8217;agit ainsi d&#8217;une oeuvre annonciatrice d&#8217;une transformation de notre r&eacute;el. La g&eacute;n&eacute;ration IA d&eacute;bordant depuis quelques ann&eacute;es le seul cadre de l&#8217;art et de ses expositions.<\/p>\n<p>&nbsp;<\/p>\n<p>Cr&eacute;ation :<br \/>\nprogrammation et concept : Philippe Boisnard<br \/>\nmusique : Philippe Franck, Philippe Boisnard<\/p>\n<p>&nbsp;<\/p>\n<p>lien de l&#8217;application :<a href=\"http:\/\/ https:\/\/apps.apple.com\/fr\/app\/out-land\/id6502857037\"> https:\/\/apps.apple.com\/fr\/app\/out-land\/id6502857037<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>[ENGLISH]<br \/>\nLWORLD (Latent World &#8211; Outland) is an iOS application (for iPhone, upcoming iPad) for augmented reality &#8211; AI &#8211; geolocation From the Renaissance onwards, the revolution of a new aesthetic &#8211; based on perspective &#8211; far from being limited to the space of the painting alone, transformed real space, permeating the city and its spaces (street, public square, facade, etc.). .). The new mathematical spirit escapes the framework of representation and develops the new framework of a presence: the aesthetic comes out of the painting and immerses the real world: nature becomes landscape, the mathematization of the world shines through this aesthetic effusion of statuary.<br \/>\nWith artificial intelligence, we are experiencing a new Renaissance, undoubtedly one of the greatest aesthetic revolutions since the 15th century. Generative AI offers a new approach to creation and representations. However, AI creations are mostly limited to screens or galleries. Immersion still being located at the place of art.<br \/>\nLworld is a project whose AI generation extends beyond artistic spaces thanks to augmented reality. Indeed, and this is a paradox of creation with generative AI: they are most of the time restricted to the museum situation, while they arise in a dynamism, of substitution, of duplication, of superposition, of entanglement with our reality. LWorld is thus one of the first proposals for limitless and frontier multiplication of the AI \u00e2\u20ac\u2039\u00e2\u20ac\u2039generation throughout the world. Shapes generated by artificial intelligence in 3D contaminate public spaces and cities, without borders, all over the world. It is thus a work announcing a transformation of our reality. In recent years, the AI \u00e2\u20ac\u2039\u00e2\u20ac\u2039generation has gone beyond the scope of art and its exhibitions.<\/p>\n<p>&nbsp;<\/p>\n<p>Creation:<br \/>\nprogramming and concept: Philippe Boisnard<br \/>\nmusic: Philippe Franck, Philippe Boisnard<\/p>\n<p>&nbsp;<\/p>\n<p>application link: <a href=\"http:\/\/ https:\/\/apps.apple.com\/fr\/app\/out-land\/id6502857037\">https:\/\/apps.apple.com\/fr\/app\/out-land\/id6502857037<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LWORLD (Latent World &#8211; Outland) est une application iOS (pour iPhone, &agrave; venir iPad) de r&eacute;alit&eacute; augment&eacute;e &#8211; IA &#8211; g&eacute;olocalisation &nbsp; Production : TRame Ouest avec la participation de Transcultures et des P&eacute;pini&egrave;res Europ&eacute;ennes de cr&eacute;ation. &nbsp; &Agrave; partir de la Renaissance, la r&eacute;volution d&#8217;une nouvelle esth&eacute;tique &#8211; bas&eacute;e sur la perspective &#8211; loin [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[184,135,25,6],"tags":[],"class_list":["post-968","post","type-post","status-publish","format-standard","hentry","category-imagination-artificielle","category-intelligence-artificielle","category-software","category-une"],"_links":{"self":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=968"}],"version-history":[{"count":1,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/968\/revisions"}],"predecessor-version":[{"id":969,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/968\/revisions\/969"}],"wp:attachment":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}