{"id":947,"date":"2024-04-29T06:03:51","date_gmt":"2024-04-29T05:03:51","guid":{"rendered":"http:\/\/databaz.org\/xtrm-art\/?p=947"},"modified":"2024-04-29T06:03:51","modified_gmt":"2024-04-29T05:03:51","slug":"no-off-screen-events","status":"publish","type":"post","link":"https:\/\/databaz.org\/xtrm-art\/?p=947","title":{"rendered":"No off-screen events"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/databaz.org\/xtrm-art\/wp-content\/uploads\/image\/hopper-morning-sun.jpg\" width=\"400\" height=\"273\" alt=\"\" \/>L&rsquo;une des caract&eacute;ristiques de la peinture de Hopper, tient &agrave; la mise en tension du hors-champ &agrave; partir de la repr&eacute;sentation picturale. Les personnages sont immobiles, souvent le regard fixe, dans un instant de temps, qui loin de se refermer sur l&rsquo;int&eacute;rieur du tableau, appelle le hors-champ. Que cela soit dans Cape Cod morning, dans City Sunlight, dans Morning sun : les femmes repr&eacute;sent&eacute;es, font face &agrave; des fen&ecirc;tres et regardent vers un ext&eacute;rieur dont le spectateur est priv&eacute;. <br \/>\nEn poursuivant la s&eacute;rie Completion, je me suis int&eacute;ress&eacute; &agrave; ce hors-champ. Il n&rsquo;existera plus car Hopper est mort. On ne saura jamais ce que ces personnages regardaient. Pourquoi ils &eacute;taient ainsi pris par ce qui n&rsquo;appara&icirc;t pas dans l&rsquo;espace pictural. <br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/databaz.org\/xtrm-art\/wp-content\/uploads\/image\/hopperJPG1.jpg\" width=\"600\" height=\"339\" align=\"left\" alt=\"\" \/>L&rsquo;IA utilis&eacute;e dans ce travail ne g&eacute;n&egrave;re pas avec des prompts. C&rsquo;est un double processus. d&rsquo;IA qui a lieu : 1\/ le premier est une analyse de l&rsquo;image 2\/ une compl&eacute;tion de l&rsquo;image &agrave; partir de la perception artificielle .  L&rsquo;IA, quelque soit les fantasmes qu&rsquo;on veuille lui pr&ecirc;ter, au niveau de la g&eacute;n&eacute;ration, fonctionne par une induction statistique qui correspond donc &agrave; un champ de probabilit&eacute; de concordance. C&rsquo;est en ce sens qu&rsquo;elle ne cr&eacute;e rien d&rsquo;extraordinaire, mais elle se conforme &agrave; un attendu. La question serait e savoir jusque&rsquo;&agrave; quel point elle se conforme. En ce sens, l&rsquo;ontologie du r&eacute;el de l&rsquo;imagination artificielle est strictement tenu dans un d&eacute;ploiement logico-math&eacute;matique, m&ecirc;me si nous avons l&rsquo;impression d&rsquo;une forme de libert&eacute; de cr&eacute;ation dans le processus.  Ce qui est survient comme extraordinaire tient surtout &agrave; la d&eacute;finition du prompt (recherche &agrave; la fois du contenu &#8211; et c&rsquo;est pour cela qu&rsquo;il y a autant de g&eacute;n&eacute;ration surr&eacute;aliste ou fantastique ou SF &#8211; et des r&egrave;gles de visualisation du contenu). Sans prompts, l&rsquo;IA g&eacute;n&eacute;rative produit l&rsquo;image qui sera la plus probable &agrave; partir de son contexte. Et de fait c&rsquo;est cela qu&rsquo;il faut souligner : l&rsquo;IA ne cr&eacute;era aucun autre &eacute;v&eacute;nement dans l&rsquo;image que de poursuivre un hors-champ &agrave; partir du champ. <br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/databaz.org\/xtrm-art\/wp-content\/uploads\/image\/restricted.jpeg\" width=\"400\" height=\"285\" align=\"left\" alt=\"\" \/>C&rsquo;est pour cela que cette s&eacute;rie de Compl&eacute;tion s&rsquo;appelle : No camera-off event. Pas d&rsquo;&eacute;v&eacute;nement hors-champ.  La solitude des personnages de Hopper est ainsi renforc&eacute;. Le spectateur n&rsquo;aura pas la cl&eacute; du hors-champ, car l&rsquo;IA poursuivant l&rsquo;exploration d&rsquo;un espace ne pense pas la cat&eacute;gorie de l&rsquo;&eacute;v&eacute;nement. Elle ne cr&eacute;e pas de &laquo;&nbsp;Il arrive&nbsp;&raquo;.   Cette nouvelle s&eacute;rie d&rsquo;exploration de Hopper se structure tout &agrave; la fois sur la production d&rsquo;images de tr&egrave;s grand format (par exemple 16000X8000 pixels) et sur des vid&eacute;os qui mettent en tension la liaison entre le champ et le hors-champ.<\/p>\n<p>\/\/ English<\/p>\n<p>&nbsp;<\/p>\n<p>One of the characteristics of Hopper&#8217;s painting is the tension created off-screen based on the pictorial representation. The characters are immobile, often with a fixed gaze, in a moment of time, which far from closing on the interior of the painting, calls out to the off-camera. Whether in Cape Cod morning, in City Sunlight, in Morning sun: the women represented face windows and look towards an exterior of which the viewer is deprived. While continuing the Completion series, I became interested in this off-camera. He will no longer exist because Hopper is dead. We will never know what these characters were looking at. Why were they so taken by what does not appear in pictorial space.<br \/>\nThe AI \u00e2\u20ac\u2039\u00e2\u20ac\u2039used in this work does not generate with prompts. It is a double process. of AI which takes place: 1\/ the first is an analysis of the image 2\/ a completion of the image from artificial perception.<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/databaz.org\/xtrm-art\/wp-content\/uploads\/image\/hopper2JPG.jpg\" width=\"1200\" height=\"145\" alt=\"\" \/>AI, whatever fantasies we want to attribute to it, at the generation level, works by statistical induction which therefore corresponds to a concordance probability field. It is in this sense that it does not create anything extraordinary, but it conforms to an expectation. The question would be to what extent she complies. In this sense, the ontology of reality of artificial imagination is strictly held in a logical-mathematical deployment, even if we have the impression of a form of creative freedom in the process.<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/databaz.org\/xtrm-art\/wp-content\/uploads\/image\/3c0ec30_M8QZlZE4Uv1Lq0tbBgLnFJ6p.jpg\" width=\"500\" height=\"424\" align=\"left\" alt=\"\" \/>What emerges as extraordinary is mainly due to the definition of the prompt (search for both content &#8211; and this is why there is so much surrealist or fantastic or SF generation &#8211; and the rules for viewing the content). Without prompts, generative AI produces the image that will be most likely from its context. And in fact this is what must be emphasized: the AI \u00e2\u20ac\u2039\u00e2\u20ac\u2039will not create any other event in the image than to pursue an off-camera from the frame. This is why this Completion series is called: No camera-off event. No off-screen events.<br \/>\nThe solitude of Hopper&#8217;s characters is thus reinforced. The spectator will not have the key to the off-camera, because the AI \u00e2\u20ac\u2039\u00e2\u20ac\u2039continuing to explore a space does not think about the category of the event. It doesn&rsquo;t create &ldquo;He&rsquo;s coming.&rdquo; This new exploration series by Hopper is structured both on the production of very large format images (for example 16000X8000 pixels) and on videos which tension the connection between the on-camera and off-camera.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;une des caract&eacute;ristiques de la peinture de Hopper, tient &agrave; la mise en tension du hors-champ &agrave; partir de la repr&eacute;sentation picturale. Les personnages sont immobiles, souvent le regard fixe, dans un instant de temps, qui loin de se refermer sur l&rsquo;int&eacute;rieur du tableau, appelle le hors-champ. Que cela soit dans Cape Cod morning, dans [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,184,135,6],"tags":[212,204,211,213,235,234,215,214],"class_list":["post-947","post","type-post","status-publish","format-standard","hentry","category-article","category-imagination-artificielle","category-intelligence-artificielle","category-une","tag-aiart","tag-artificial-imagination","tag-hopper","tag-hors-champ","tag-imagination-artificielle","tag-intelligence-artificielle","tag-off-camera","tag-off-screen"],"_links":{"self":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=947"}],"version-history":[{"count":1,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/947\/revisions"}],"predecessor-version":[{"id":948,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/947\/revisions\/948"}],"wp:attachment":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}