![\"\"](\"http:\/\/databaz.org\/xtrm-art\/wp-content\/uploads\/After_Fukushim.png\"){kind=spacer}
<\/p>\n<\/p>\n
<\/p>\n
EXPOSITION :
\n\u00e2\u20ac\u201d Montr\u00c3\u00a9al, \u00c3\u00a0 l’invitation de l’agence TOPO – aout-septembre 2018. Cr\u00c3\u00a9ation pour la vitrine dans l’espace public du batiment UBISOFT.
\n\u00e2\u20ac\u201d Montr\u00c3\u00a9al, festival art souterrain, f\u00c3\u00a9vrier-acril 2020.
\n\u00e2\u20ac\u201d Paris, Galerie Satellite, octbobre 2020.<\/p>\n
french :<\/span><\/p>\n Un paysage sans reste d’humanité se crée de manière continue. Il est un reflet poétique d’une terre dont nulle conscience n’est plus témoin. Il y a eu destruction. Cette terre, c’est Fukushima. Elle est désolée. Il ne reste qu’un paysage sombre, sans hommes, sans faune ou flore. Seuls quelques vestiges de constructions peuvent apparaître. Pour cette nouvelle création, Philippe Boisnard s’associe à Jacques Urbanska et à sa veille twitter @fukushima_actu pour générer le paysage médiatique de la catastrophe qui s’est produite en 2011. english : <\/p>\n creation : Philippe Boisnard EXPOSITION : \u00e2\u20ac\u201d Montr\u00c3\u00a9al, \u00c3\u00a0 l’invitation de l’agence TOPO – aout-septembre 2018. Cr\u00c3\u00a9ation pour la vitrine dans l’espace public du batiment UBISOFT. \u00e2\u20ac\u201d Montr\u00c3\u00a9al, festival art souterrain, f\u00c3\u00a9vrier-acril 2020. \u00e2\u20ac\u201d Paris, Galerie Satellite, octbobre 2020. french : Un paysage sans reste d’humanité se crée de manière continue. Il est un reflet poétique d’une terre […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46,6],"tags":[],"class_list":["post-837","post","type-post","status-publish","format-standard","hentry","category-installation","category-une"],"_links":{"self":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=837"}],"version-history":[{"count":1,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/837\/revisions"}],"predecessor-version":[{"id":838,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/837\/revisions\/838"}],"wp:attachment":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n> Ce paysage se modifie automatiquement par l’analyse des flux d’informations concernant Fukushima mis en ligne sur le Web.
\nSa texture de couleur est faite des images qui ont été diffusées ou sont encore diffusées par le twitter @fukushima_ actu.
\nCe paysage est post-historique. Il n’écrit plus l’histoire. Il est le reflet d’un monde où l’homme a disparu, mais dont il ne reste plus que les traces sous la forme des archives. Une caméra automatique explore ce paysage : nous faisons face à sa solitude. Le terme de solitude est ancien, il renvoie au XVIIème siècle à une friche, à un noman’s land.<\/p>\n
\nA landscape without humanity is created continuously. It is a poetic reflection of a land that no consciousness is no longer witness. There was destruction. This land is Fukushima. It is devastated. There is only a dark landscape without men, without fauna or flora. Only a few remains of buildings may appear.
\nFor this new creation, Boisnard Philippe joins Jacques Urbanska and its twitter @fukushima_actu to generate the media landscape of the disaster that occurred in 2011.
\nThe landscape changes automatically by analyzing the flow of information about Fukushima posted on the Web.
\nColor texture is made pictures that were released or are still distributed by the twitter @fukushima_ news.
\nThis is post-historic landscape. He no longer writes history. It is a reflection of a world where man has gone, but there remains the traces in the form of archives. An automatic camera explores the landscape: we face loneliness. loneliness of the term is old, it returns to the seventeenth century in a wasteland, a no man’s land.<\/p>\n
\ndatabase Jacques Urbanska
\nsound Philippe Franck<\/p>\n <\/div>\n","protected":false},"excerpt":{"rendered":"