{"id":571,"date":"2016-02-19T11:13:13","date_gmt":"2016-02-19T10:13:13","guid":{"rendered":"http:\/\/databaz.org\/xtrm-art\/?p=571"},"modified":"2016-11-13T17:58:56","modified_gmt":"2016-11-13T16:58:56","slug":"paysage-de-la-catastrophe","status":"publish","type":"post","link":"https:\/\/databaz.org\/xtrm-art\/?p=571","title":{"rendered":"Paysage de la catastrophe (After Fukushima)"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/191260825?title=0&#038;byline=0&#038;portrait=0\" width=\"900\" height=\"520\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p>exposition :<br \/>\nArs musica &#8211; Bruxelles (Belgique) &#8211; novembre 2016.<\/p>\n<p>&nbsp;<\/p>\n<p>french :<br \/>\nUn paysage sans reste d&rsquo;humanit&eacute; se cr&eacute;e de mani&egrave;re continue. Il est un reflet po&eacute;tique d&rsquo;une terre dont nulle conscience n&rsquo;est plus t&eacute;moin. Il y a eu destruction. Cette terre, c&rsquo;est Fukushima. Elle est d&eacute;sol&eacute;e. Il ne reste qu&rsquo;un paysage sombre, sans hommes, sans faune ou flore. Seuls quelques vestiges de constructions peuvent appara&icirc;tre. Pour cette nouvelle cr&eacute;ation, Philippe Boisnard s&rsquo;associe &agrave; Jacques Urbanska et &agrave; sa veille twitter @fukushima_actu pour g&eacute;n&eacute;rer le paysage m&eacute;diatique de la catastrophe qui s&rsquo;est produite en 2011.<br \/>\n&gt; Ce paysage se modifie automatiquement par l&rsquo;analyse des flux d&rsquo;informations concernant Fukushima mis en ligne sur le Web.<br \/>\nSa texture de couleur est faite des images qui ont &eacute;t&eacute; diffus&eacute;es ou sont encore diffus&eacute;es par le twitter @fukushima_ actu.<br \/>\nCe paysage est post-historique. Il n&rsquo;&eacute;crit plus l&rsquo;histoire. Il est le reflet d&rsquo;un monde o&ugrave; l&rsquo;homme a disparu, mais dont il ne reste plus que les traces sous la forme des archives. Une cam&eacute;ra automatique explore ce paysage : nous faisons face &agrave; sa solitude. Le terme de solitude est ancien, il renvoie au XVII&egrave;me si&egrave;cle &agrave; une friche, &agrave; un noman&rsquo;s land.<\/p>\n<p>english :<br \/>\nA landscape without humanity is created continuously. It is a poetic reflection of a land that no consciousness is no longer witness. There was destruction. This land is Fukushima. It is devastated. There is only a dark landscape without men, without fauna or flora. Only a few remains of buildings may appear.<br \/>\nFor this new creation, Boisnard Philippe joins Jacques Urbanska and its twitter @fukushima_actu to generate the media landscape of the disaster that occurred in 2011.<br \/>\nThe landscape changes automatically by analyzing the flow of information about Fukushima posted on the Web.<br \/>\nColor texture is made pictures that were released or are still distributed by the twitter @fukushima_ news.<br \/>\nThis is post-historic landscape. He no longer writes history. It is a reflection of a world where man has gone, but there remains the traces in the form of archives. An automatic camera explores the landscape: we face loneliness. loneliness of the term is old, it returns to the seventeenth century in a wasteland, a no man&#8217;s land.<\/p>\n<p>&nbsp;<\/p>\n<p>creation : Philippe Boisnard<br \/>\ndatabase Jacques Urbanska<br \/>\nsound Philippe Franck<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"http:\/\/t-pas-net.com\/site\/img\/paysagecata1.jpg\" alt=\"\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"http:\/\/t-pas-net.com\/site\/img\/paysagecata2.jpg\" alt=\"\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"http:\/\/t-pas-net.com\/site\/img\/paysagecata3.jpg\" alt=\"\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>exposition : Ars musica &#8211; Bruxelles (Belgique) &#8211; novembre 2016. &nbsp; french : Un paysage sans reste d&rsquo;humanit&eacute; se cr&eacute;e de mani&egrave;re continue. Il est un reflet po&eacute;tique d&rsquo;une terre dont nulle conscience n&rsquo;est plus t&eacute;moin. Il y a eu destruction. Cette terre, c&rsquo;est Fukushima. Elle est d&eacute;sol&eacute;e. Il ne reste qu&rsquo;un paysage sombre, sans [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46,12],"tags":[103,104,20,45],"class_list":["post-571","post","type-post","status-publish","format-standard","hentry","category-installation","category-poesie-visuelle","tag-boisnard","tag-post-historicite","tag-pure-data","tag-puredata"],"_links":{"self":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=571"}],"version-history":[{"count":11,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/571\/revisions"}],"predecessor-version":[{"id":604,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/571\/revisions\/604"}],"wp:attachment":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}