{"id":375,"date":"2013-08-28T17:47:32","date_gmt":"2013-08-28T16:47:32","guid":{"rendered":"http:\/\/databaz.org\/xtrm-art\/?page_id=312\/?p=375"},"modified":"2013-08-28T17:47:32","modified_gmt":"2013-08-28T16:47:32","slug":"lodyssee-duo","status":"publish","type":"post","link":"https:\/\/databaz.org\/xtrm-art\/?p=375","title":{"rendered":"L&#8217;ODYSS\u00c3\u2030E (duo)"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/37850002\" width=\"500\" height=\"313\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"><\/iframe><\/p>\n<p><a href=\"http:\/\/vimeo.com\/37850002\">Odyss&eacute;e<\/a> from <a href=\"http:\/\/vimeo.com\/user5944086\">philippe boisnard<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p><strong>DIFFUSION<\/strong><br \/>\n&#8211; L&#8217;\u00c3\u00a9t\u00c3\u00a9 des arts Le CRANE &#8211; Chevigny &#8211; juillet 2012.<br \/>\n&#8211; Les Instants vid\u00c3\u00a9os &#8211; Marseille &#8211; septembre 2012.<br \/>\n&#8211; le GRAVE &#8211; Festival FIMAV &#8211; Victoriaville (Canada) &#8211; mai 2011.<br \/>\n&#8211; Databaz &#8211; Angoul\u00c3\u00aame &#8211; f\u00c3\u00a9vrier 2011.<\/p>\n<p>Une &oelig;uvre multimodale ; un travail de relation entre la musique, la vid&eacute;o, la danse ou la peinture ne mouvement ; une errance &agrave; travers des paysages digitaux .<br \/>\nSe nourrissant du fond probl&eacute;matique de la qu&ecirc;te d&rsquo;identit&eacute;, de la magie du cercle et de la circularit&eacute;, cette &oelig;uvre tente de rendre mat&eacute;rielle et sensorielle cette question centrale que pose Hom&egrave;re &agrave; travers une circum-navigation ponctu&eacute;e de stations et de lieux propres &agrave; toute mutation. Ulysse est le lieu de la m&eacute;tamorphose, il est r&eacute;ellement un spectre : seuil de d&eacute;composition du sens.<br \/>\nLa narration circulaire est une mat&eacute;rialisation sensorielle de cette question de l&rsquo;identit&eacute; : une forme d&rsquo;errance o&ugrave; les stations, les suspensions se condensent comme lieu de mutations sonores et visuelles. Chaque station se d&eacute;plie comme m&eacute;tamorphose des rapports entre m&eacute;diums. Il s&rsquo;agit bien d&rsquo;une narration, dont les &eacute;l&eacute;ments du r&eacute;cit, les liaisons, ne sont plus inscrits linguistiquement, m&ecirc;me si en lambeau le langage appara&icirc;t esquisse des indices de l&rsquo;oeuvre d&rsquo;Hom&egrave;re, mais m&eacute;diumniquement. Ce travail cherche &agrave; pr&eacute;senter concr&egrave;tement cette qu&ecirc;te, en tant que le son et l&rsquo;image par leurs aventures, sont les lieux de cette pr&eacute;sentation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Odyss&eacute;e from philippe boisnard on Vimeo. DIFFUSION &#8211; L&#8217;\u00c3\u00a9t\u00c3\u00a9 des arts Le CRANE &#8211; Chevigny &#8211; juillet 2012. &#8211; Les Instants vid\u00c3\u00a9os &#8211; Marseille &#8211; septembre 2012. &#8211; le GRAVE &#8211; Festival FIMAV &#8211; Victoriaville (Canada) &#8211; mai 2011. &#8211; Databaz &#8211; Angoul\u00c3\u00aame &#8211; f\u00c3\u00a9vrier 2011. Une &oelig;uvre multimodale ; un travail de relation entre [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-375","post","type-post","status-publish","format-standard","hentry","category-performance"],"_links":{"self":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=375"}],"version-history":[{"count":1,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/375\/revisions"}],"predecessor-version":[{"id":376,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/375\/revisions\/376"}],"wp:attachment":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}