{"id":358,"date":"2013-08-28T16:25:25","date_gmt":"2013-08-28T15:25:25","guid":{"rendered":"http:\/\/databaz.org\/xtrm-art\/?page_id=312\/?p=358"},"modified":"2013-08-29T10:08:45","modified_gmt":"2013-08-29T09:08:45","slug":"translations","status":"publish","type":"post","link":"https:\/\/databaz.org\/xtrm-art\/?p=358","title":{"rendered":"TRANSLATIONS"},"content":{"rendered":"<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \"><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/68839342?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"><\/iframe><\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \"><a href=\"http:\/\/vimeo.com\/68839342\" style=\"color: rgb(204, 0, 0); text-decoration: none; \">HP_PROCESS \/\/ FESTIVAL SONS DE PLATEAUX \/\/ 19 JUIN 2013 \/\/ MONT&Eacute;VIDEO \/\/ MARSEILLE<\/a>&nbsp;from&nbsp;<a href=\"http:\/\/vimeo.com\/legrim\" style=\"color: rgb(204, 0, 0); text-decoration: none; \">GRIM<\/a>&nbsp;on&nbsp;<a href=\"https:\/\/vimeo.com\/\" style=\"color: rgb(204, 0, 0); text-decoration: none; \">Vimeo<\/a>.<\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \"><strong>DIFFUSION<\/strong><\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \"><strong>&#8211;&nbsp;<\/strong>festival&nbsp;<em><a href=\"http:\/\/festival-bruisme.blogspot.fr\/\" style=\"color: rgb(204, 0, 0); text-decoration: none; \"><strong>BRUISME #2<\/strong><\/a><\/em>&nbsp;(<a href=\"http:\/\/lieumultiple.org\/\" style=\"color: rgb(204, 0, 0); text-decoration: none; \">Lieu Multiple<\/a>\/<a href=\"http:\/\/www.confort-moderne.fr\/\" style=\"color: rgb(204, 0, 0); text-decoration: none; \">Confort Modern<\/a>e) &agrave; Poitiers le 1er juillet 2012.<\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&#8211; festival&nbsp;<strong><a href=\"http:\/\/www.institutfrancais.jp\/tokyo\/fr\/events-manager\/digitalchoc2013\/\" target=\"_blank\" style=\"color: rgb(204, 0, 0); text-decoration: none; \"><em>DIGITAL CHOC v.2.0<\/em><\/a>&nbsp;<\/strong>(Institut fran&ccedil;ais du Japon) &agrave; Tokyo et &agrave; Kyoto en f&eacute;v. 2013.<\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&#8211; festival <b><i>MAI<\/i><\/b>&nbsp;NUMERIQUE&nbsp;&nbsp;&agrave; Carcassonne 4 mai 2013.<\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&#8211; festival&nbsp;<a href=\"http:\/\/thsf.tetalab.org\/2013\/\" target=\"_blank\" style=\"color: rgb(204, 0, 0); text-decoration: none; \"><em><strong>THSF<\/strong><\/em><\/a>&nbsp;(&nbsp;<a href=\"http:\/\/mixart-myrys.org\/\" target=\"_blank\" style=\"color: rgb(204, 0, 0); text-decoration: none; \"><strong>Mix&rsquo;Art Myrys<\/strong><\/a>) &agrave; Toulouse en mai 2013.<\/p>\n<p><span style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&#8211; festival<\/span><span style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&nbsp;<\/span><em style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \"><strong>SONS DE PLATEAUX<\/strong><\/em><span style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&nbsp;<\/span><span style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">(GRIM) &agrave; Marseille en juin 2013.<\/span>&nbsp;<\/p>\n<p><strong style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">PRESENTATION<\/strong>&nbsp;:&nbsp;<strong style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">TRANSLATIONS<\/strong><span style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&nbsp;<\/span><span style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">est une performance video et sonore sur la vitesse et l&rsquo;espace-temps, o&ugrave; son et images sont produits en temps r&eacute;el dans une logique synesth&eacute;sique et hallucinatoire. C&rsquo;est une plong&eacute;e dans les vibrations de la vitesse et dans les diffractions temporelles et spatiales produits par les d&eacute;placements, les trajets, les connexions, les translations.&nbsp;<\/span><span style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&nbsp;<\/span><strong style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">Distance et dilatation, rythme et compression, d&eacute;filement et suspension, synchronisation et d&eacute;crochage<\/strong><span style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&nbsp;<\/span><span style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">sont les th&eacute;matiques de ce projet de<\/span><span style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&nbsp;<\/span><em style=\"color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">live cinema.<\/em><\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">A partir d&rsquo;une centaine de petits films de paysages r&eacute;alis&eacute;s lors de voyages (train, voiture, avion, m&eacute;tro &hellip;), HP Process construit en temps r&eacute;el un travelling infini qui explore les variations et d&eacute;formations visuelles g&eacute;n&eacute;r&eacute;es par la vitesse. C&rsquo;est &agrave; la fois la travers&eacute;e de multiples espaces et une plong&eacute;e dans la mati&egrave;re vibratoire de la vid&eacute;o et du son, qui se d&eacute;ploie &agrave; partir d&rsquo;une hybridation entre voix, textes et sons &eacute;lectroniques, pour aller vers une densification noise hypnotique.<br \/>\n_ Le travail en temps r&eacute;el de l&rsquo;image explore la mat&eacute;rialit&eacute; du num&eacute;rique &agrave; travers une d&eacute;construction des pixels et des couleurs, pour tendre vers l&rsquo;abstraction des formes.<br \/>\n_ Le texte, impr&eacute;gn&eacute; dans les flux bruitistes, jouant sur les limites de l&rsquo;audible et du sens, est notamment constitu&eacute; de longues listes de voyages o&ugrave; sont r&eacute;f&eacute;renc&eacute;s les lieux de d&eacute;part et d&rsquo;arriv&eacute;e, les distances parcourues, le temps du voyages, les horaires, et les moyens de transports utilis&eacute;s.<br \/>\n_ Le son se construit &agrave; partir d&rsquo;un travail d&rsquo;improvisation de la voix et du souffle, retrait&eacute;s en direct par ordinateur afin de cr&eacute;er aussi bien une po&eacute;sie sonore &eacute;lectronique que des paysages sonores.<\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \"><em>La d&eacute;gradation du d&eacute;roulement du film en tant que d&eacute;gradation de la m&eacute;moire __ le voyage est toujours &agrave; la fois ce qui a eu lieu, et ce qui est &agrave; venir. C&rsquo;est d&eacute;j&agrave; un souvenir au moment m&ecirc;me o&ugrave; il a lieu, il appartient d&eacute;j&agrave; &agrave; un processus de m&eacute;morisation qui va de pair avec un processus de transformation \/ d&eacute;formation \/ d&eacute;gradation. C&rsquo;est toujours une projection, une vision, qui se donne de mani&egrave;re brouill&eacute;e, vaporeuse, insaisissable.&nbsp;<strong>Une dream-machine num&eacute;rique<\/strong>&nbsp;&hellip;<\/em><\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \"><strong>TRANSLATION<\/strong>&nbsp;est un carnet de voyage num&eacute;rique, une exp&eacute;rience cin&eacute;tique, qui transcende l&rsquo;opposition entre vision r&eacute;elle et projection imaginaire, entre espaces g&eacute;ographiques et espace mental.<\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">Conception : Philippe Boisnard &amp; Hortense Gauthier<br \/>\nProgrammation video et son (Pure Data) : Philippe Boisnard<br \/>\nLive son : Philippe Boisnard (laptop) et Hortense Gauthier (voix)<br \/>\nMixage image : Hortense Gauthier<\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&ldquo;Translations&rdquo; is an audiovisual performance where sounds and images are produced in real time in a synaesthetic and hallucinatory logic. It is a dive into the vibrations of speed and the temporal and spatial diffractions produced by travel, transfers, routes, connections, translations.<br \/>\nFrom films made during journeys and a list of destinations, travel time, travel distance and means of transport, HP Process built in real time an infinite travelling shot that explores the variations and visual distortions generated by speed. It is a crossing in the vibratory field of the video and the sound which unfolds from a hybridization between voice, text and electronic sounds, to go to an hypnotic noise densification.<\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">&laquo; Translations &raquo; wants to create a kind of &ldquo;digital dream-machine&rdquo;, where film deterioriation is an echo to memory deterioriation __ the journey is always both what has happened, and what is to come. It is already a memory at the moment when it occurs, it is already part of a memory process that goes along with a process of transformation \/ deformation \/ degradation. It is always a projection, a vision, which reveals itself as blurred, hazy, elusive.<\/p>\n<p style=\"margin: 1.2em 0px; color: rgb(42, 42, 42); font-family: arial, helvetica, verdana; text-align: justify; \">Design: Philippe Boisnard &amp; Hortense Gauthier<br \/>\nVideo and sound programming (Pure Data): Philip Boisnard<br \/>\nLive image and sound: Philippe Boisnard and Hortense Gauthier (voice)<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/73337732\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe> <\/p>\n<p><a href=\"http:\/\/vimeo.com\/73337732\">HP PROCESS EASTERN BLOC WEB<\/a> from <a href=\"http:\/\/vimeo.com\/user6822051\">Hermes TOPO<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>HP_PROCESS \/\/ FESTIVAL SONS DE PLATEAUX \/\/ 19 JUIN 2013 \/\/ MONT&Eacute;VIDEO \/\/ MARSEILLE&nbsp;from&nbsp;GRIM&nbsp;on&nbsp;Vimeo. DIFFUSION &#8211;&nbsp;festival&nbsp;BRUISME #2&nbsp;(Lieu Multiple\/Confort Moderne) &agrave; Poitiers le 1er juillet 2012. &#8211; festival&nbsp;DIGITAL CHOC v.2.0&nbsp;(Institut fran&ccedil;ais du Japon) &agrave; Tokyo et &agrave; Kyoto en f&eacute;v. 2013. &#8211; festival MAI&nbsp;NUMERIQUE&nbsp;&nbsp;&agrave; Carcassonne 4 mai 2013. &#8211; festival&nbsp;THSF&nbsp;(&nbsp;Mix&rsquo;Art Myrys) &agrave; Toulouse en mai 2013. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[23,61,230],"class_list":["post-358","post","type-post","status-publish","format-standard","hentry","category-performance","tag-hp-process","tag-liv-audio-video","tag-video"],"_links":{"self":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=358"}],"version-history":[{"count":3,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/358\/revisions"}],"predecessor-version":[{"id":417,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/358\/revisions\/417"}],"wp:attachment":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}