{"id":355,"date":"2013-08-28T16:14:12","date_gmt":"2013-08-28T15:14:12","guid":{"rendered":"http:\/\/databaz.org\/xtrm-art\/?page_id=312\/?p=355"},"modified":"2013-08-28T16:14:12","modified_gmt":"2013-08-28T15:14:12","slug":"largent","status":"publish","type":"post","link":"https:\/\/databaz.org\/xtrm-art\/?p=355","title":{"rendered":"L&#8217;ARGENT"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div id=\"cc-m-5658488416\" class=\"n j-text\" style=\"padding: 5px; height: 75px; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; line-height: 15px; text-align: left; -webkit-text-size-adjust: none; \">\n<p style=\"margin: 0px; padding: 0px; \">Cr&eacute;ation avec&nbsp;Christian Van der Borght&nbsp;et programmation du mapping interactif de la pi&egrave;ce.<\/p>\n<p style=\"margin: 0px; padding: 0px; \">____________________________________________<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Texte Christophe Tarkos<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Mise en sc&egrave;ne Anne Th&eacute;ron<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Une proposition de Anne Th&eacute;ron, Christian Van der Borght, Stanislas Nordey<\/p>\n<p style=\"margin: 0px; padding: 0px; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; \">&nbsp;<\/p>\n<\/div>\n<div id=\"cc-m-5615535716\" class=\"n j-htmlCode\" style=\"padding: 5px; height: 303px; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; line-height: 15px; text-align: left; -webkit-text-size-adjust: none; \"><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/44371468?portrait=0\" width=\"480\" height=\"300\" frameborder=\"0\"><\/iframe><\/div>\n<div id=\"cc-m-5611670316\" class=\"n j-text\" style=\"padding: 5px; height: 450px; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; line-height: 15px; text-align: left; -webkit-text-size-adjust: none; \">\n<p style=\"margin: 0px; padding: 0px; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; \"><strong>L&#8217;ARGENT<\/strong><\/p>\n<p style=\"margin: 0px; padding: 0px; \">Cr&eacute;ation sept. 2012<\/p>\n<p style=\"margin: 0px; padding: 0px; \"><strong>[Disponible en tourn&eacute;e]<\/strong><\/p>\n<p style=\"margin: 0px; padding: 0px; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Texte&nbsp;\/ Christophe Tarkos (<em>L&rsquo;argent<\/em>, in Ecrits Po&eacute;tiques, &eacute;ditions P.O.L, 2008.)<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Une proposition de Anne Th&eacute;ron, Christian Van der Borght, Stanislas Nordey<\/p>\n<p style=\"margin: 0px; padding: 0px; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Avec \/ Akiko Hasegawa et Stanislas Nordey<\/p>\n<p style=\"margin: 0px; padding: 0px; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Mise en sc&egrave;ne \/ Anne Th&eacute;ron<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Assistanat &agrave; la mise en sc&egrave;ne \/ Ania Goldanowska<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Cr&eacute;ation sonore \/ Jean Reibel<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Cr&eacute;ation num&eacute;rique \/ Christian Van der Borght<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Artiste programmeur\/ Philipe Boisnard<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Cr&eacute;ation lumi&egrave;re \/ Beno&icirc;t Th&eacute;ron<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Sc&eacute;nographie \/ Ania Goldanowska<\/p>\n<p style=\"margin: 0px; padding: 0px; \">R&eacute;gie g&eacute;n&eacute;rale \/ Amaury Seval<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Traduction en japonais \/ Yukie Nakao<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Production &ndash; diffusion \/ Emilie Leloup<\/p>\n<p style=\"margin: 0px; padding: 0px; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; \">Production Cie Les Productions Merlin, coproduction Cie Stanislas Nordey, Ga&icirc;t&eacute; Lyrique &#8211; Paris, Th&eacute;&acirc;tre Libert&eacute; &ndash; Toulon et avec la participation du DICREAM, Minist&egrave;re de la Culture et de la Communication, CNC, CNL.<\/p>\n<p style=\"margin: 0px; padding: 0px; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; \">La Cie Les Productions Merlin est conventionn&eacute;e par le Minist&egrave;re de la culture et de la communication \/ DRAC Poitou-Charentes et la R&eacute;gion Poitou-Charentes.<\/p>\n<p style=\"margin: 0px; padding: 0px; \">&nbsp;<\/p>\n<\/div>\n<div id=\"cc-m-5658490316\" class=\"n j-hr\" style=\"padding: 5px; height: 2px; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; line-height: 15px; text-align: left; -webkit-text-size-adjust: none; \">\n<div class=\"hr\" style=\"border-bottom-style: solid; border-bottom-width: 1px; border-color: rgb(204, 204, 204); height: 1px; \">&nbsp;<\/div>\n<\/div>\n<div id=\"cc-m-5611672816\" class=\"n j-downloadDocument\" style=\"padding: 5px; height: 75px; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; line-height: 15px; text-align: left; -webkit-text-size-adjust: none; \">\n<div class=\"clearover\" style=\"overflow: hidden; \">\n<div class=\"leftDownload\" style=\"width: 52px; float: left; \"><a href=\"http:\/\/www.compagnieproductionsmerlin.fr\/app\/download\/5611672816\/Dossier+L%27Argent_FR.pdf?t=1364981993\" style=\"color: rgb(0, 153, 225); \"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/s.jimdo.com\/s\/img\/cc\/icons\/pdf.png\" width=\"51\" height=\"51\" alt=\"Download\" style=\"border: 0px; display: block; \" \/><\/a><\/div>\n<div class=\"rightDownload\" style=\"margin-left: 55px; padding-left: 6px; \"><strong>Dossier L&#8217;Argent, de Christophe Tarkos<\/strong><br \/>\nDossier de pr&eacute;sentation du spectacle<br \/>\nDossier L&#8217;Argent_FR.pdf<br \/>\nDocument Adobe Acrobat [1&#8217;023.8 KB]<br \/>\n<a href=\"http:\/\/www.compagnieproductionsmerlin.fr\/app\/download\/5611672816\/Dossier+L%27Argent_FR.pdf?t=1364981993\" class=\"cc-m-download-link\" style=\"color: rgb(0, 153, 225); \">T&eacute;l&eacute;charger<\/a><\/div>\n<\/div>\n<\/div>\n<div id=\"cc-m-5658490816\" class=\"n j-hr\" style=\"padding: 5px; height: 2px; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; line-height: 15px; text-align: left; -webkit-text-size-adjust: none; \">\n<div class=\"hr\" style=\"border-bottom-style: solid; border-bottom-width: 1px; border-color: rgb(204, 204, 204); height: 1px; \">&nbsp;<\/div>\n<\/div>\n<div id=\"cc-m-5611668616\" class=\"n j-text\" style=\"padding: 5px; height: 615px; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; line-height: 15px; text-align: left; -webkit-text-size-adjust: none; \">\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">&quot;Christophe Tarkos est un po&egrave;te du flux verbal. Sa syntaxe explore le langage et fabrique une s&eacute;rie de signes qui aboutissent &agrave; une langue nouvelle.<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">Dans son texte, L&rsquo;argent, il interroge la valeur de l&rsquo;argent, infiltr&eacute;e dans toutes les r&eacute;alisations et mouvements de l&rsquo;esprit, tous les gestes, qui n&rsquo;est pas rest&eacute;e dans le domaine des jugements, qui est une valeur vivante.<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">Ce texte est essentiel, non seulement par sa beaut&eacute; (sa virtuosit&eacute; pourrait-on dire) mais parce qu&rsquo;il d&eacute;cortique le sens jusqu&rsquo;&agrave; l&rsquo;os, et d&eacute;nonce avec une &eacute;vidence tranquille et perturbante, avec &eacute;galement un humour troublant, le nerf de la guerre : l&rsquo;argent.<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">L&rsquo;argent, devenu pur flux financier, est une virtualit&eacute; qui fonctionne sur des ordres donn&eacute;s et des statistiques.<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">L&rsquo;argent n&rsquo;a plus de support mat&eacute;riel, et pourtant il est aujourd&rsquo;hui le flux dominant qui g&egrave;re le monde.<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">Ce spectacle donne &agrave; voir ce flux, questionne son mouvement, sa vitesse, la somme colossale d&rsquo;informations qu&rsquo;il charrie et que l&rsquo;individu est suppos&eacute; trier et traiter. Comment r&eacute;sister &agrave; la masse d&rsquo;informations, comment maintenir un &eacute;tat de conscience, une singularit&eacute; ?<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">Travailler sur le flux financier ou les flux de donn&eacute;es, en interaction avec le flux verbal du po&egrave;me, exige un traitement particulier et participe d&rsquo;une nouvelle grammaire visuelle, interactive et narrative.<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">Donc, d&rsquo;un c&ocirc;t&eacute;, un environnement virtuel et visuel qui entoure les interpr&egrave;tes mais &eacute;galement les spectateurs, dans une esth&eacute;tique purement num&eacute;rique.<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">De l&rsquo;autre, deux interpr&egrave;tes, Stanislas Nordey et Akiko Hasegawa, un homme et une femme, un Fran&ccedil;ais et une Japonaise, un com&eacute;dien et une danseuse, deux langues, une alt&eacute;rit&eacute; absolue et pourtant deux corps qui, par la parole, le mouvement et le regard communiquent et cr&eacute;ent une logique &eacute;motionnelle, apportent une &acirc;me et finalement retrouvent les gestes ancestraux d&rsquo;une &eacute;poque o&ugrave; le temps &eacute;chappait au flux.<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">Spectacle hybride, L&rsquo;argent utilise des outils contemporains pour donner &agrave; entendre\/voir\/ressentir\/penser le flux dans lequel nous refusons de nous noyer.&quot;<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: justify; \">&nbsp;<\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: right; \"><strong>Anne Th&eacute;ron<\/strong><\/p>\n<p style=\"margin: 0px; padding: 0px; text-align: right; \">Juin 2012<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Cr&eacute;ation avec&nbsp;Christian Van der Borght&nbsp;et programmation du mapping interactif de la pi&egrave;ce. ____________________________________________ Texte Christophe Tarkos Mise en sc&egrave;ne Anne Th&eacute;ron Une proposition de Anne Th&eacute;ron, Christian Van der Borght, Stanislas Nordey &nbsp; &nbsp; &nbsp; L&#8217;ARGENT Cr&eacute;ation sept. 2012 [Disponible en tourn&eacute;e] &nbsp; &nbsp; Texte&nbsp;\/ Christophe Tarkos (L&rsquo;argent, in Ecrits Po&eacute;tiques, &eacute;ditions P.O.L, 2008.) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[58,59,57,55,232,54,56],"class_list":["post-355","post","type-post","status-publish","format-standard","hentry","category-theatre","tag-avignon","tag-gaite-lyrique","tag-nordey","tag-tarkos","tag-theatre","tag-theatre-numerique","tag-theron"],"_links":{"self":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=355"}],"version-history":[{"count":1,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/355\/revisions"}],"predecessor-version":[{"id":356,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/355\/revisions\/356"}],"wp:attachment":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}