{"id":292,"date":"2010-07-07T06:18:20","date_gmt":"2010-07-07T05:18:20","guid":{"rendered":"http:\/\/databaz.org\/xtrm-art\/?p=292"},"modified":"2010-07-07T06:18:20","modified_gmt":"2010-07-07T05:18:20","slug":"livre-comment-parler-de-cinema-ed-lharmattan-2005","status":"publish","type":"post","link":"https:\/\/databaz.org\/xtrm-art\/?p=292","title":{"rendered":"[LIVRE] Comment parler de cin\u00c3\u00a9ma ? ed. L&#8217;Harmattan &#8211; 2005"},"content":{"rendered":"<p><img decoding=\"async\" align=\"left\" src=\"http:\/\/databaz.org\/xtrm-art\/wp-content\/uploads\/image\/Image%202.png\" style=\"width: 306px; height: 416px;\" alt=\"\" \/>Mieux vaut tard que jamais.&nbsp;C&#8217;est avec surprise et plaisir que j&#8217;apprends 5&nbsp;ans apr&egrave;s sa parution, ma participation &agrave; l&#8217;essai collectif : Comment parler de cin&eacute;ma ?&nbsp;Le directeur de cette publication a repris, sans m&#8217;en avertir, une de mes critiques publi&eacute;es dans la revue Brazil, sp&eacute;cialis&eacute;e sur le cin&eacute;ma.&nbsp;<\/p>\n<p>Propose un &eacute;tat des lieux de la critique cin&eacute;ma en France, au Qu&eacute;bec, en  Uruguay, en Serbie-Montenegro, en Italie, en Ukraine, en Iran, en  Afrique, des &eacute;tudes sur les sp&eacute;cificit&eacute;s de la critique selon les  supports (presse, t&eacute;l&eacute;vision, radio, Internet), ainsi qu&#8217;un dossier sur  l&#8217;affrontement judiciaire entre la revue &quot;Brazil&quot; et le cin&eacute;aste Luc  Besson.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mieux vaut tard que jamais.&nbsp;C&#8217;est avec surprise et plaisir que j&#8217;apprends 5&nbsp;ans apr&egrave;s sa parution, ma participation &agrave; l&#8217;essai collectif : Comment parler de cin&eacute;ma ?&nbsp;Le directeur de cette publication a repris, sans m&#8217;en avertir, une de mes critiques publi&eacute;es dans la revue Brazil, sp&eacute;cialis&eacute;e sur le cin&eacute;ma.&nbsp; Propose un &eacute;tat des lieux de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,6],"tags":[],"class_list":["post-292","post","type-post","status-publish","format-standard","hentry","category-livre","category-une"],"_links":{"self":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=292"}],"version-history":[{"count":1,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/292\/revisions"}],"predecessor-version":[{"id":293,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=\/wp\/v2\/posts\/292\/revisions\/293"}],"wp:attachment":[{"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/databaz.org\/xtrm-art\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}